La peinture anglaise

01.02 – 02.06.2019

The Fondation de l’Hermitage is pleased to present a major exhibition on English painting of the Victorian period (1837-1901). A selection of nearly 60 works, most on show for the first time in Switzerland, will illustrate the diversity and fascinating originality of 19th-century English art. The great upheavals of the Industrial Revolution are reflected in striking genre scenes depicting different facets of modern life in the Golden Age of the British Empire, from the expansion of cities and public transport to the emergence of the middle classes and homeworking. Other artists choose to focus on landscape or portray their ideals of beauty in subjects taken from history and literature.

From Turner to Whistler via the Pre-Raphaelites
The exhibition foregrounds three generations of painters active in the Victorian era, starting with J. M. W. Turner (1775-1851), one of the most celebrated British landscape artists of his day, whose magisterial oeuvre was a forerunner of Impressionism. The focus then shifts to the pre-Raphaelite Brotherhood, founded in 1848 by students at the Royal Academy in London, including John Everett Millais (1829-1896) and Dante Gabriel Rossetti (1828-1882). This group sought to throw off academic conventions, calling for a return to nature and taking inspiration from the Italian Primitives, in accordance with the precepts of art critic John Ruskin (1819-1900). In the 1860s a second generation of artists headed by Edward Burne-Jones (1833-1898), and usually known as the Aesthetic Movement, drew on a wide range of sources, from mediaeval legends to literature, poetry, British theatre and Antiquity. Antiquity was also central to the work of Lawrence Alma-Tadema (1836-1912), who achieved immense success in his own lifetime with his precisely detailed style. The exhibition culminates in a presentation of two singular figures of the Victorian period, James Abbott McNeill Whistler (1834-1903) and John Singer Sargent (1856-1925), both cosmopolitan artists of American origin.

A section on Victorian photography
The loan of a very fine set of photogravures from the Fondation William Cuendet & Atelier de Saint-Prex has enabled us to enhance the exhibition with a selection of works by the most important British photographers of the 19th century, including Thomas Annan, Julia Margaret Cameron, Peter Henry Emerson, Francis Frith, David Octavius Hill and Robert Adamson, Robert Howlett, Henry Peach Robinson and William Henry Fox Talbot. To complete this section we present a portfolio of portraits of Jane Morris, one of the pre-Raphaelite muses.

Prestigious works
The works on display have been lent by major British institutions, including the Tate, the Royal Collection / HM Queen Elisabeth II and the Royal Academy of Arts, all in London, the Ashmolean Museum in Oxford, the Manchester Art Gallery, the National Galleries of Scotland in Edinburgh and the Hunterian in Glasgow.

Back in pictures


La peinture anglaise

Sous la direction de Sylvie Wuhrmann et William Hauptman
Publié en co-édition avec La Bibliothèque des Arts, Lausanne
152 pages, 24 × 29 cm, 100 illustrations


La peinture anglaise

Format mondial F4 (89,5 × 128 cm)
Œuvre : Frederick Sandys, Vivien (détail), 1863
Design graphique : Laurent Cocchi

Documents to download